from INSIDE OUT, released December 25, 2024
Archiv: Kunst, Film, Musik, Buch, Spiele, Industrien / art, movies, music, books, games, industries
Megalopolis
Mit „Megalopolis“ hat sich Francis Ford Coppola, Schöpfer zeitloser filmischer Großwerke wie der „Die Pate“-Trilogie oder „Apocalypse Now“, fünffacher Oscar-Gewinner und zweifacher Cannes-Sieger, den Traum eines letzten Meisterwerks erfüllt: ein Science-Fiction-Film, wie es noch keinen gab, voller unvergesslicher Bilder und visionärer Ideen
Adam Driver Praises Francis Ford Coppola For “Not Letting The Money Dictate” ‘Megalopolis’ At AFI Life Achievement Tribute
(April 27, 2025)
Driver continued, “Francis took $120 million and created a singular gesture for what he thought film could be, and I think that’s pretty great. That kind of move has an aftershock that certainly will be felt in his films, will be felt throughout time, and is obviously felt in this room. So, I know you have complicated feelings about awarding Francis, but to echo what everyone else has been saying, you more than deserve this moment. Congratulation on all you’ve achieved, and I’m honored to be here to celebrate you, your generosity and your bravery.”
Now We Know Why You Will Probably Never Get to See One of the Most Misunderstood Movies Ever Made
One of the biggest benefits of not being beholden to a studio and funding a movie yourself, is that you have the final say in what happens to it.
Megalopolis was – even if Coppola would not call it one – a personal passion project that would have never been made if the legendary director had not funded it himself.
(—)
With an incredible cast, possibly one of the greatest assembled in the last 20 years, Megalopolis was the vision of Coppola without any outside interference or input.
War of Numbers
In the fall of 1967, political and military leaders in Washington said the Vietnam War was approaching “the crossover point”: More Vietcong soldiers were dying in battle each week than could be recruited. CIA analyst Sam Adams, however, was insisting the good news was an illusion. His estimates of enemy ranks and morale varied wildly from those being released by military intelligence for public consumption, and for use by commanders in the field. Adams’ findings indicated the war was unwinnable, and when US leaders failed to acknowledge basic facts, he knew the intelligence was being politicized.
From inside the CIA and then after quitting the agency in 1973, Adams embarked on a one-man crusade to expose the truth.
The Lost Crusade; America in Vietnam
„THE LOST CRUSADE provies the first completely comprehensive account of the American intervention in Vietnam. It explains how America got involved in Vietnam and how that commitment escalated out of control“. Foreword by W. Averell Harriman. Locale: Vietnam. (Military, Military History, Military–United States, Vietnam War).
Hancock (2008) – Call Me A**hole One More Time Scene (4/10) | Movieclips
Hancock – Call Me A**hole One More Time:
Der Panther
Sein Blick ist vom Vorübergehn der Stäbe
so müd geworden, daß er nichts mehr hält.
Ihm ist, als ob es tausend Stäbe gäbe
und hinter tausend Stäben keine Welt.
Der weiche Gang geschmeidig starker Schritte,
der sich im allerkleinsten Kreise dreht,
ist wie ein Tanz von Kraft um eine Mitte,
in der betäubt ein großer Wille steht.
Nur manchmal schiebt der Vorhang der Pupille
sich lautlos auf –. Dann geht ein Bild hinein,
geht durch der Glieder angespannte Stille –
und hört im Herzen auf zu sein.
Hello Boys I‘m Back
This classic quote clip is from the 1996 Blockbuster Movie „Independence Day“ I‘m using it as an example in a lesson
The Wizard Of Oz (1939) If I only had a Brain
(…)
Daniel Neun – Der Fels
(audio)
lyrics:
Inmitten des Kosmos
am Meer aus Zeit
hier stehe ich am Abhang und
erstreckt sich weit
zum Horizont
ich seh es glühn
Zeit meinen Weg zu gehn
zu tun was ich muss
denn wisset – ich bin Sisyphos.
An der Sonne entlang
hinauf den Hang
tausend Gemälde ohne Vergleich
und aus den Tiefen steigt
der Mond und zeichnet weich
Geometrie ins Firmament
Geometrie
ins Firmament
roll ich den Fels hinauf den Hang
bin schon fast hinüber
tausend Leben lang
war ich Verdammter dieser Erde
dort wo mein Platz ist
dort wo der Fels rollt
Rollt
Mein Platz ist dort wo der Fels rollt
Dort
Dort wo mein Platz ist
dort wo der Fels rollt
Ich wollt Du könntest sehn
Deine Welt sie ist so schön
Mitten im Nichts zu sein
So viele Sterne sind
im Äther ziehn dahin
ich muss nicht mehr wie einer sein
Nicht mehr wie Einer sein
der rollt den Fels hinauf den Hang
bin schon fast hinüber
tausend Leben lang
war ich Verdammter dieser Erde
dort wo mein Platz ist wo der Fels rollt
Rollt
war ich Verdammter dieser Erde
Mein Platz ist dort wo der Fels rollt
Dort
war ich Verdammter dieser Erde
dort wo mein Platz ist wo der Fels rollt
Du willst mich kaufen
Du willst mein Herz
Was bietest Du
nur ein bisschen Erz.
Erdling, was kannst Du mir geben
Ich bin verdammt nochmal
am Leben
Den Kopf in den Sternen hab ich´s geschafft
Dir zum Zeichen werf ich sie
hinab
den Hang
die Erde bebt
sieh wer nun dort oben steht
Erdling, werde was Du bist
weil Du sonst nie am Leben bist
und das ist es doch wert, Mensch
Das ist doch wert, Mensch
Du bist es doch wert, Mensch
Du bist es wert
Mensch.
Und das ist es mir wert, Mensch
Und das ist es mir wert
Und das ist es wert, Mensch
Und das ist es wert
Wir sind Helden – Müssen nur wollen
(video)
Uriah Heep – The Wizard …
aken from their 1972 album ‚Demons and Wizards‘.
(…)
He was the wizard of a thousand kings
And I chanced to meet him one night wandering
He told me tales and he drank my wine
Me and my magic man, kinda feelin‘ fine
He had a cloak of gold and eyes of fire
And as he spoke, I felt a deep desire
To free the world of its fear and pain
And help the people to feel free again
Why don‘t we listen to the
Voices in our heart?
Cause then I know we‘d find
We‘re not so far apart
Everybody‘s got to be happy
Everyone should sing
For we know the joy of life
Peace and love can bring
So spoke the wizard
In his mountain home
The vision of his wisdom
Means we‘ll never be alone
And I will dream of my magic night
And the million silver stars
That guide me with their light
In case you haven´t seen it: ELEMENT
This song I did with Czech singer Monica Pokorna, who also directed the video, received over 250.000 views on Rumble (by the way: dont‘publish there…) The German lyrics are to be found on bandcamp. Produced by british artist James Cook.
In pictures: Gene Hackman’s iconic on-screen roles
Throughout his career, which spanned more than 40 years, he elevated character roles to leading-man levels, such as in “The French Connection,” “Hoosiers,” “Unforgiven,” and “The Firm.” His best roles were often of conflicted authority figures or surprisingly clever white-collar villains.
Sheriff: Gene Hackman, wife found dead in Santa Fe home; no foul play suspected
Legendary actor, two-time Oscar winner and author Gene Hackman and his wife, classical pianist Betsy Arakawa, were found dead Wednesday afternoon in their home in the Santa Fe Summit community northeast of the city.
Santa Fe County Sheriff Adan Mendoza confirmed just after midnight Thursday the couple had died, along with their dog.
Mendoza said in an interview Wednesday evening there was no immediate indication of foul play. He did not provide a cause of death or say when the couple might have died.
Valerian – Opening Scene – Space Oddity
(Mar 5, 2019)
28 YEARS LATER – Official Trailer (HD)
What will humanity become?
Jefferson Airplane – Volunteers (Audio)
Look what‘s happening out in the streets
Got a revolution (got to revolution)
Hey, I‘m dancing down the streets
Got a revolution (got to revolution)
Oh, ain‘t it amazing all the people I meet?
Got a revolution (got to revolution)
One generation got old
One generation got soul
This generation got no destination to hold
Pick up the cry
Hey, now it‘s time for you and me
Got a revolution (got to revolution)
Hey, come on now we‘re marching to the sea
Got a revolution (got to revolution)
Who will take it from you, we will and who are we?
Well, we are volunteers of America (volunteers of America)
Volunteers of America (volunteers of America)
I‘ve got a revolution
Got a revolution
Look what‘s happening out in the streets
Got a revolution (got to revolution)
Hey, I‘m dancing down the streets
Got a revolution (got to revolution)
Oh, ain‘t it amazing all the people I meet?
Got a revolution, oh-oh
We are volunteers of America
Yeah, we are volunteers of America
We are volunteers of America (volunteers of America)
Volunteers of America (volunteers of America)
Bob Dylan – Masters of War (Audio)
Come you masters of war
You that build the big guns
You that build the death planes
You that build all the bombs
You that hide behind walls
You that hide behind desks
I just want you to know
I can see through your masks
You that never done nothin‘
But build to destroy
You play with my world
Like it‘s your little toy
You put a gun in my hand
And you hide from my eyes
And you turn and run farther
When the fast bullets fly
Like Judas of old
You lie and deceive
A world war can be won
You want me to believe
But I see through your eyes
And I see through your brain
Like I see through the water
That runs down my drain
You fasten all the triggers
For the others to fire
Then you sit back and watch
When the death count gets higher
You hide in your mansion
While the young people‘s blood
Flows out of their bodies
And is buried in the mud
You‘ve thrown the worst fear
That can ever be hurled
Fear to bring children
Into the world
For threatening my baby
Unborn and unnamed
You ain‘t worth the blood
That runs in your veins
How much do I know
To talk out of turn
You might say that I‘m young
You might say I‘m unlearned
But there‘s one thing I know
Though I‘m younger than you
That even Jesus would never
Forgive what you do
Let me ask you one question
Is your money that good?
Will it buy you forgiveness
Do you think that it could?
I think you will find
When your death takes its toll
All the money you made
Will never buy back your soul
And I hope that you die
And your death will come soon
I‘ll follow your casket
By the pale afternoon
And I‘ll watch while you‘re lowered
Down to your deathbed
And I‘ll stand over your grave
‚Til I‘m sure that you‘re dead
JAMES COOK – 20 HORSES (OFFICIAL VIDEO)
First single from JAMES COOK‘s 5th solo album ‚Inside-Out‘ (…)
Direction Camera Edit – Monica Pokorna
Ghost appearance Norman Cook (miss you Dad)
All instruments/music/lyrics written, played, recorded, produced by JAMES COOK
Drum percussion Nico Rommel
Mixed by Sebastian Lee Philipp
Mastered by Milan Adamik@MasterworksAudio
James Cook – Inside Out
This is the 5th original studio album by JAMES COOK. This album is definitely his darkest, heaviest, most experimental album.
‚Opulent and progressive, Cook’s songs are a colourful mix of classically crafted compositions and contemporary innovation… Darkwave, Shoegaze, Krautrock, Post-Punk, New Wave, As melancholic as the moon and as inflamed as the sun‘. Cindy Smith-The Manc Review
releases December 25, 2024
James Cook – Inside Out
This is the 5th original studio album by JAMES COOK. This album is definitely his darkest, heaviest, most experimental album.
‚Opulent and progressive, Cook’s songs are a colourful mix of classically crafted compositions and contemporary innovation… Darkwave, Shoegaze, Krautrock, Post-Punk, New Wave, As melancholic as the moon and as inflamed as the sun‘. Cindy Smith-The Manc Review
releases December 25, 2024
JAMES COOK – 20 HORSES (OFFICIAL VIDEO)
First single from JAMES COOK‘s 5th solo album ‚Inside-Out‘ (…)
Direction Camera Edit – Monica Pokorna
Ghost appearance Norman Cook (miss you Dad)
All instruments/music/lyrics written, played, recorded, produced by JAMES COOK
Drum percussion Nico Rommel
Mixed by Sebastian Lee Philipp
Mastered by Milan Adamik@MasterworksAudio
Men In Black- First Neuralyzer Scene
(no specific date)
West Side Story (4/10) Movie CLIP – America (1961) HD
(…)
Queen – A Kind of Magic
Taken from A Kind Of Magic, 1986
Bob Dylan – Masters of War (Audio)
Come you masters of war
You that build the big guns
You that build the death planes
You that build all the bombs
You that hide behind walls
You that hide behind desks
I just want you to know
I can see through your masks
You that never done nothin‘
But build to destroy
You play with my world
Like it‘s your little toy
You put a gun in my hand
And you hide from my eyes
And you turn and run farther
When the fast bullets fly
Like Judas of old
You lie and deceive
A world war can be won
You want me to believe
But I see through your eyes
And I see through your brain
Like I see through the water
That runs down my drain
You fasten all the triggers
For the others to fire
Then you sit back and watch
When the death count gets higher
You hide in your mansion
While the young people‘s blood
Flows out of their bodies
And is buried in the mud
You‘ve thrown the worst fear
That can ever be hurled
Fear to bring children
Into the world
For threatening my baby
Unborn and unnamed
You ain‘t worth the blood
That runs in your veins
How much do I know
To talk out of turn
You might say that I‘m young
You might say I‘m unlearned
But there‘s one thing I know
Though I‘m younger than you
That even Jesus would never
Forgive what you do
Let me ask you one question
Is your money that good?
Will it buy you forgiveness
Do you think that it could?
I think you will find
When your death takes its toll
All the money you made
Will never buy back your soul
And I hope that you die
And your death will come soon
I‘ll follow your casket
By the pale afternoon
And I‘ll watch while you‘re lowered
Down to your deathbed
And I‘ll stand over your grave
‚Til I‘m sure that you‘re dead
My Generation (Stereo Version)
My Generation (Stereo Version) · The Who
(…)
Released on: 1965-01-01
Associated Performer, Vocalist: Roger Daltrey
Associated Performer, Bass Guitar, Background Vocalist: John Entwistle
Associated Performer, Guitar, Background Vocalist: Pete Townshend
Associated Performer, Drums, Background Vocalist: Keith Moon
Elias Khoury on Writing
“Literature speaks in many ways. It speaks to the present, of course, and to the future, if it is good literature. But literature is also a way for the writer to make a dialogue with the dead. This is the power of literature. It is not like religion: religion gives you the feeling that you are eternal. Here, there is no eternity at all, but it opens the possibility of dialoguing with the dead.”
Lebanon mourns the loss of leading novelist Elias Khoury
“Never in my life have I felt that life gives you more than you deserve more than at that moment, where literature transforms into reality,” Khoury said in an interview at the time.
Khoury’s well-known love for Palestine meant even more to Itani when he was falsely accused of collaborating with Israel in Lebanon in 2017.
At the time, Khoury wrote a fierce piece defending Itani, and expressed his disgust towards those pursuing him.
When Itani went to thank Khoury, the latter told him, “Are you serious? I raised you!”
Download Book Earth Letters Pdf
Author: رشاد أبو سخيلة
Category: Literature [Edit]
Language: Arabic
Pages: 88
File Size: 6.01 MB
Extension: PDF
Creation Date: 04 Aug 2020
Patti Smith – „Rock ‚N‘ Roll Nigger“
(…)
Harold Pinter – Nobelvorlesung: Kunst, Wahrheit & Politik
(7. Dezember 2005)
Blicken wir in einen Spiegel, dann halten wir das Bild, das uns daraus entgegensieht, für akkurat. Aber bewegt man sich nur einen Millimeter, verändert sich das Bild. Wir sehen im Grunde eine endlose Reihe von Spiegelungen. Aber manchmal muss ein Schriftsteller den Spiegel zerschlagen – denn von der anderen Seite dieses Spiegels blickt uns die Wahrheit ins Auge.
Ich glaube, dass den existierenden, kolossalen Widrigkeiten zum Trotz die unerschrockene, unbeirrbare, heftige intellektuelle Entschlossenheit, als Bürger die wirkliche Wahrheit unseres Lebens und unserer Gesellschaften zu bestimmen, eine ausschlaggebende Verpflichtung darstellt, die uns allen zufällt. Sie ist in der Tat zwingend notwendig.
Wenn sich diese Entschlossenheit nicht in unserer politischen Vision verkörpert, bleiben wir bar jeder Hoffnung, das wiederherzustellen, was wir schon fast verloren haben – die Würde des Menschen.
kultur-zentner
Musik, Film, Literatur – kulturjournalistische Beiträge aus der Indie-Szene
Kunst und Kultur gegen den Strom
Einige Künstler lassen sich nicht einschüchtern. Sie machen das, was man von ihnen erwartet. Sie passen sich nicht an, sie üben Kritik an den Missständen und erheben ihre Stimme, so laut, dass sie in der Öffentlichkeit trotz Cancel Culture nachhallt.
In den letzten vier Jahren hat sich eine pulsierende Kulturszene herausgebildet. Der Journalist Eugen Zentner stellt sie in seinem Buch vor. Entlang der Bereiche Kabarett, Musik, Kunst und Literatur zeigt er mit teilweise prägnanten Werkanalysen, welche Themen diese mutigen Künstler beschäftigen, welche Ausdrucksformen sie wählen und was sie antreibt. Es ist eine erbauliche Bestandsaufnahme, eine fulminante Einführung in einen Bereich der außerparlamentarischen Opposition, in dem die Akteure Gegenöffentlichkeit mit den Mitteln der Kunst betreiben.
Künstler als außerparlamentarische Opposition
Wer der Cancel Culture zum Opfer fällt, flieht in eine alternative Kulturszene. Die wächst seit der Corona-Krise recht schnell. So haben sich in der Kulturbranche parallele Strukturen herausgebildet. Von ihnen erzählt das Buch von Eugen Zentner mit dem Titel „Kunst und Kultur gegen den Strom“. Eine Rezension von Éva Péli.
Daniel Neun – Der Fels
(audio)
lyrics:
Inmitten des Kosmos
am Meer aus Zeit
hier stehe ich am Abhang und
erstreckt sich weit
zum Horizont
ich seh es glühn
Zeit meinen Weg zu gehn
zu tun was ich muss
denn wisset – ich bin Sisyphos.
An der Sonne entlang
hinauf den Hang
tausend Gemälde ohne Vergleich
und aus den Tiefen steigt
der Mond und zeichnet weich
Geometrie ins Firmament
Geometrie
ins Firmament
roll ich den Fels hinauf den Hang
bin schon fast hinüber
tausend Leben lang
war ich Verdammter dieser Erde
dort wo mein Platz ist
dort wo der Fels rollt
Rollt
Mein Platz ist dort wo der Fels rollt
Dort
Dort wo mein Platz ist
dort wo der Fels rollt
Ich wollt Du könntest sehn
Deine Welt sie ist so schön
Mitten im Nichts zu sein
So viele Sterne sind
im Äther ziehn dahin
ich muss nicht mehr wie einer sein
Nicht mehr wie Einer sein
der rollt den Fels hinauf den Hang
bin schon fast hinüber
tausend Leben lang
war ich Verdammter dieser Erde
dort wo mein Platz ist wo der Fels rollt
Rollt
war ich Verdammter dieser Erde
Mein Platz ist dort wo der Fels rollt
Dort
war ich Verdammter dieser Erde
dort wo mein Platz ist wo der Fels rollt
Du willst mich kaufen
Du willst mein Herz
Was bietest Du
nur ein bisschen Erz.
Erdling, was kannst Du mir geben
Ich bin verdammt nochmal
am Leben
Den Kopf in den Sternen hab ich´s geschafft
Dir zum Zeichen werf ich sie
hinab
den Hang
die Erde bebt
sieh wer nun dort oben steht
Erdling, werde was Du bist
weil Du sonst nie am Leben bist
und das ist es doch wert, Mensch
Das ist doch wert, Mensch
Du bist es doch wert, Mensch
Du bist es wert
Mensch.
Und das ist es mir wert, Mensch
Und das ist es mir wert
Und das ist es wert, Mensch
Und das ist es wert
Francis Ford Coppola: ‘I Have Nothing Left to Lose’
At Cannes, where it premiered in May, Megalopolis managed to be the single most divisive film of the festival; love it or hate it, Coppola’s huge swing for the philosophical fences is a truly singular work — and is exactly the movie that he wanted to make. (It’s set to hit theaters on Sept. 27.) That Coppola somehow managed in his eighties to will this long-gestating pet project into being and self-finance it against his winery for $120 million is borderline unbelievable, even given his legacy as someone willing to bet a fortune and/or a film studio to follow a dream. “I have everything to lose here,” he says, referring to this portrait of the decline, fall, and Phoenix-like rise of a civilization. “And, in a way, I have nothing left to lose anymore.”