Prolog · Einstürzende Neubauten
Haus der Lüge
Prolog · Einstürzende Neubauten
Haus der Lüge
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Er musste zweimal sterben, um dreimal leben zu können, ehe der echte Tod ihn fand. In 46 Spielfilmen zwischen 1916 und 1960 führte Fritz Lang Regie, bei 17 davon war er am Drehbuch beteiligt, am Ende seiner Karriere drehte er noch einen Film – in einem anderen. Gestorben ist der Künstler einmal um 1931, als der Stummfilm durch den Tonfilm abgelöst wurde, und ein weiteres Mal um 1936, als er sich im Exil auf die Gesetze Hollywoods einlassen musste.
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Xavier Naidoo: „Halte durch“ aus dem Album „Alles kann besser werden“.
ASD (Afrob & Samy Deluxe) – Hey Du (OFFICIAL VIDEO)
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A California native, Lucas (née Griffin) got her start in editing via the Motion Picture Editors Guild apprenticeship program and eventually became the assistant to lauded female film editor Verna Fields (Jaws, Paper Moon). It was while working with Fields that she met her future husband, then a student in the film school at the University of Southern California, who had also been hired to assist Fields.
Look what‘s happening out in the streets
Got a revolution (got to revolution)
Hey, I‘m dancing down the streets
Got a revolution (got to revolution)
Oh, ain‘t it amazing all the people I meet?
Got a revolution (got to revolution)
One generation got old
One generation got soul
This generation got no destination to hold
Pick up the cry
Hey, now it‘s time for you and me
Got a revolution (got to revolution)
Hey, come on now we‘re marching to the sea
Got a revolution (got to revolution)
Who will take it from you, we will and who are we?
Well, we are volunteers of America (volunteers of America)
Volunteers of America (volunteers of America)
I‘ve got a revolution
Got a revolution
Look what‘s happening out in the streets
Got a revolution (got to revolution)
Hey, I‘m dancing down the streets
Got a revolution (got to revolution)
Oh, ain‘t it amazing all the people I meet?
Got a revolution, oh-oh
We are volunteers of America
Yeah, we are volunteers of America
We are volunteers of America (volunteers of America)
Volunteers of America (volunteers of America)
„The Late Show“ signs off with two powerful musical performances back-to-back, beginning with the quartet of Stephen Colbert, Louis Cato, Jon Batiste and Elvis Costello performing Costello‘s 1977 tune, „Jump Up.“ As that song ends, the foursome are joined by Paul McCartney and The Great Big Joy Machine for a once-in-a-lifetime rendition of The Beatles‘ „Hello Goodbye,“ which ends with a giant singalong featuring the entire staff of „The Late Show.“
The one and only Paul McCartney returns to the Ed Sullivan Theater as Stephen Colbert‘s surprise final guest on The Late Show. Watch as he talks about what he remembers from The Beatles playing that same stage in 1964, and stick around for two more segments with Paul McCartney!
Paul McCartney, a surprise guest on the final episode of “The Late Show With Stephen Colbert,” provided a poignant capper to the series by being given the ceremonial honor of turning out the lights in the Ed Sullivan Theater, a location with which he has plenty of history.
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From the Director‘s Cut version of the Documentary
Look what‘s happening out in the streets
Got a revolution (got to revolution)
Hey, I‘m dancing down the streets
Got a revolution (got to revolution)
Oh, ain‘t it amazing all the people I meet?
Got a revolution (got to revolution)
One generation got old
One generation got soul
This generation got no destination to hold
Pick up the cry
Hey, now it‘s time for you and me
Got a revolution (got to revolution)
Hey, come on now we‘re marching to the sea
Got a revolution (got to revolution)
Who will take it from you, we will and who are we?
Well, we are volunteers of America (volunteers of America)
Volunteers of America (volunteers of America)
I‘ve got a revolution
Got a revolution
Look what‘s happening out in the streets
Got a revolution (got to revolution)
Hey, I‘m dancing down the streets
Got a revolution (got to revolution)
Oh, ain‘t it amazing all the people I meet?
Got a revolution, oh-oh
We are volunteers of America
Yeah, we are volunteers of America
We are volunteers of America (volunteers of America)
Volunteers of America (volunteers of America)
Fearless and forensic, this incendiary indictment from one of Britain’s most celebrated political journalists lays bare the full extent of British complicity in the destruction of Gaza.
In a gripping narrative informed by original reporting, Peter Oborne tells how Britain’s Conservative and Labour parties converged to back Israel’s criminal assault—in the process occupying disturbing common ground with the far right.
Rather than challenge this political cartel, British media colluded in its misrepresentations. The shocking result was that, as British authorities helped Israel set Gaza as well as international law aflame, almost everything the public was told about this momentous conflagration was untrue.
When citizens still turned out in their hundreds of thousands to demand a ceasefire, roiling the nation’s politics as they stayed faithful to the ancient British tradition of popular protest in defence of liberty, the political-media machine bared its fangs. The investigative reporting in this book exposes the methods by which peaceful demonstrations were smeared as “hate marches”.
Formerly chief political commentator at the Daily Telegraph and Spectator, Oborne knows the British establishment from within. In this book he names names and provides receipts. His demand is accountability—for atrocities, and their accomplices.
℗ 1982 Sony Music Entertainment (Germany) GmbH
Composer, Lyricist: H. Mitteregger
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We Urgently Need Your Help to Finish and Distribute the Film ‚OPERATION RECOMPLY’ — Otherwise Known as ‚The Filton 24 Film‘
OPERATION RE-COMPLY is the documentary about activists currently imprisoned on remand (held without trial), for taking direct action to dismantle weapons at Elbit Systems, an Israeli arms factory in Bristol, as part of the now-proscribed group Palestine Action. This film tells the story of their families, their fight for justice, and the movement that‘s grown with them.
After 16 months in prison, six of the Filton 24 are finally going on trial, while others may have to wait two years before finally having their day in court.
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By donating, you’re not just funding a film—you’re supporting a project that will raise awareness of the rising authoritarianism, the fight against arbitrary detention of political prisoners, and the fight for Palestinian rights. The more we raise, the bigger the release can be.
Thank you for your support. Let’s get this film into the world together.
This classic quote clip is from the 1996 Blockbuster Movie „Independence Day“ I‘m using it as an example in a lesson
Come you masters of war
You that build the big guns
You that build the death planes
You that build all the bombs
You that hide behind walls
You that hide behind desks
I just want you to know
I can see through your masks
You that never done nothin‘
But build to destroy
You play with my world
Like it‘s your little toy
You put a gun in my hand
And you hide from my eyes
And you turn and run farther
When the fast bullets fly
Like Judas of old
You lie and deceive
A world war can be won
You want me to believe
But I see through your eyes
And I see through your brain
Like I see through the water
That runs down my drain
You fasten all the triggers
For the others to fire
Then you sit back and watch
When the death count gets higher
You hide in your mansion
While the young people‘s blood
Flows out of their bodies
And is buried in the mud
You‘ve thrown the worst fear
That can ever be hurled
Fear to bring children
Into the world
For threatening my baby
Unborn and unnamed
You ain‘t worth the blood
That runs in your veins
How much do I know
To talk out of turn
You might say that I‘m young
You might say I‘m unlearned
But there‘s one thing I know
Though I‘m younger than you
That even Jesus would never
Forgive what you do
Let me ask you one question
Is your money that good?
Will it buy you forgiveness
Do you think that it could?
I think you will find
When your death takes its toll
All the money you made
Will never buy back your soul
And I hope that you die
And your death will come soon
I‘ll follow your casket
By the pale afternoon
And I‘ll watch while you‘re lowered
Down to your deathbed
And I‘ll stand over your grave
‚Til I‘m sure that you‘re dead