It’s 2014, and I’m sitting in a university classroom in England. Right now, I’m a dance educator and studying for a more theoretical MA in the subject at the same time. This class is about contextualising performance practices within the political sphere. But most art isn’t political, I think. Our lecturer goes on to explain. Politics, I hear, is really a term about power relations. Almost every action performed by a human when there are other humans present is political, in so much as it is an assertion of status, whether higher or lower, in the greater game of power relations. We act out of a desire to attain something, perhaps to create order, perhaps to make things work for ourselves, but it’s impossible, I hear, to create art that is not an assertion of status in the context of human relations in some capacity. From now on, I look at government-funded art in a different way. I look at all art in a different way.