There has been much debate about the film, primarily about its historical accuracy, but one might say not the right debate, not the deepest debate. Aside from a few Hollywood dissidents like Edward Asner, it has been left largely to theologians to call the film into question not on the pragmatic ground of its fealty to facts but on the moral ground of its message: that torture succeeds, and because it succeeds we should accept it. (…)
But moviegoing is, in part, about escapism, and now that escapism apparently includes the matter of torture.